That Social Problem

Recently, I figured out a long standing problem I have been having. It turns out that I have social anxiety. As it happens, it’s a pretty mild and it isn’t in any way debilitating. But it does affect my life in some profound ways.

This is how it works: There is a little voice in the back of my head, and it tries to tell me that I’m not worth knowing. If a joke falls flat, or I say something that doesn’t quite come out the way I intended, the voice says something like “and that’s why people don’t like you.” It analyzes everything I do, and puts the worst possible spin on things. Given the opportunity to go out to some gathering where I don’t know many people, the voice tells me that there is no point in going since no one likes me anyway, or that I have nothing of value to offer. The voice has a comment for every situation, eroding any confidence I have managed to build.

And its there all the time. I can’t escape it. It’s there when I walk down the street, it’s at work, it’s in casual conversation. It follows me everywhere. Its as though my own mind is constantly urging me to just shut myself away to spare other people the difficulty of dealing with me.

And the worst part is, that I know its not true. My rational brain says that its not that bad. That other people don’t find dealing with me painful. And yet, that’s the first thing my brain says to me when I enter a social situation: “this is why people don’t like you”.

I am not writing this for pity, or to lament my lot. No. I’m writing this in defiance of my social anxiety. Because I am not going to let it be the way I define myself.

I started the podcast to force myself to approach and meet knew people. It’s a small thing but it’s a start.

The next step is in large groups, which is where that voice really has a field day. But here is the thing: I taught myself to accept imperfect writing when working on a first draft. I learned not to self edit. Is there any reason I can’t apply this to life? It used to be when I wrote, my inner critic would tear apart what I was writing as I wrote it. It was more than a little debilitating as far as writing goes. Because you can’t write well, when you think everything you write is shit. This has helped me to write more. I have allowed what I write on the first pass not to be completely amazing because I know I will fix the problems when I revise it. But I have managed to give myself permission for the writing to suck when I write a first draft. I allow it to be less than perfect, because I know I will fix it later. And I have learned not to listen to the voice of the inner critic.

The inner critic used to be a voice saying similar things to my anxiety voice. And I learned to put that voice in a box, so that I could get on with the things that mattered. So why can’t I do that with this?

So, that is my goal for the next little while. To learn not to listen to that voice.

Have you ever tried anything like this? How do you deal with social anxiety?

The Annual Navel Gaze: 2012

This was a big year for me. I did one of the scariest things I have ever done: I left my job and went on tour with Keystone Theatre. The tour took our show, The Last Man on Earth to Montreal, Winnipeg, Calgary and Edmonton. It was, as you might expect, amazing.

The play received great reviews everywhere we went, and I was able to see parts of the country that I have never seen before.

I returned to Toronto, and began the hunt for an awesome new job to replace the old awesome job, which continues even as I write this. I’ll admit that it has been difficult job hunting for this long, and that I’ve been struggling against feeling discouraged. I don’t know what the next year has in store for me, but it will be something great, I know that.

Job hunt aside, the last few months have been pretty awesome for my creative life. I finished writing a rough draft of a play. I had decided to write a play about a period of Canadian history, but to do so in a Shakespearean style, which was quite the challenge. For a while it looked like I might not finish the draft and then finally…I did! And then I put the play aside, to give myself a rest from it for a while. I have a couple more plays I am working on at the moment: an as yet unnamed play set in WWI, a one man play called A Murder, and a Christmas play that is something of a story telling venture (at least for now).

So, now to set some creative goals for myself for the next year:

  • Finish the WWI play and the Murder play.
  • Go back to work on the one man play The Commandment, and look at staging it for a limited run.
  • Complete and polish the Christmas play, and stage it next December.

And of course, there’s the other thing:

  • Find an awesome new job to replace the old awesome job.

Let’s plan to meet back here at this time to see how I did.

The Annual Navel Gaze

I don’t make New Year’s resolutions. They just seem to be a way to set unrealistic expectations, which lead to making you feel disappointed in yourself when you break them. So, no resolutions for me.

But I will set some goals for myself. So here, in no particular order, are my goals for the upcoming year:

  • Get paid to act. In the past, I’ve done too many shows just to be doing something. This has led to varying degrees of satisfaction. Some experiences were really great, others were not. So, the goal is to only do theatre that pays — unless (and the unless is important here) I am creating the play, or am invested in it (like a play produced by Monkeyman Productions).

  • Do more directing. I have an idea for a particular Shakespeare play that I would love to do. I need to find a way to fund that. Before I tackle that play, I’ll want to improve my directing vocabulary.

  • Write more. Write more. Write more. Finish the play I’m working on before moving on to the next.

  • Become a better theatre marketer. I am the “Marketing Manager” for Keystone Theatre and tried my hand at some publicity for Monkeyman for the last show. I certainly need some improvement. I have a bit of time before Keystone kicks into gear, so there is some time — but I want to know what I’m doing before that happens.

  • Become a better schmoozer. Be able to go to parties, make small talk, meet the right people, and the like. I’m not very good at this, and I need to get better.

  • Get an agent.

So, those are my goals for the year. There are more of them than I initially thought there would be. I might not complete all of them, but at least I’ll have made some serious headway if I accomplish some of them

What are your goals for the year?