Menu

From Solo Play to Audio Project: “Saint” Nick and the Big F*ck Up.

0

A long while back, I started writing a solo play for Christmas. I’ve been talking about this on and off since April of 2017. The play has gone through a lot of changes, it started out as a play about the Old Gods of Winter being set free and wreaking havoc  on the modern world, but it grew and started to be about too many things. Sometime late last year, I separated the two themes into two separate plays. The one that had the most meat to it, was about a mall Santa who has a very bad day. I started to call this play “Saint” Nick and the Big F*ck Up. 

As I looked at it, it felt like it was in good shape, and I had was planning on applying with it to the Fundy Fringe (I know, a Christmas play in the summer seems a bit odd, but I felt like it would work), and performing it this year at Christmas. 

The lottery didn’t go my way for Fundy Fringe (such is the way with Fringe). And then COVID happened, and theatres closed, and it soon became clear that they wouldn’t be re-opening any time soon.

But I had this play that was ready to be presented and I wanted to do something with it, so I started to look at options. Live streaming video was quickly looking like the way to go, but there was a lot to consider, a lot of new skills to master, and new equipment to purchase.

On the skills side, there would be learning how to do a live stream, how to light the stage area, how to ensure good sound quality, how to play sound cues in the stream. There’s also figuring out whether a single camera is enough, or if a dual camera setup would be better. And how to switch cameras on the fly.

Then there’s the equipment to think about. Is the webcam on my laptop good enough? Heck, is the laptop powerful enough to stream and not overheat? If I need a second camera, can I use my webcam and stream from there to the computer? Do I need to buy new lights? Do I need some other technology to switch between them? What about sound? Do I need a lav mic? Or can I use one of mic’s I already have? And how would I manage all of these tools if I’m the one doing the performing?

There was a lot. 

Ultimately, after a lot of consideration (and a little breathing into a paper bag), I decided against video streaming as a medium.

But since I have two podcasts (Stageworthy and The Introvert’s Guide To…), audio was a medium I knew I could work with. And I decided that podcasting might be a great way to distribute it.

So I started working on how to adapt this solo play designed for performance into an audio play, so that I could podcast it. So I recorded all the monologue (which seems a strange way to put it, but if it was dialogue, we’d use that phraseology, so I’m standing by it for now), and then found where the best points to break were. And fortunately for me, I was able to make each episode about 10 minutes long (give or take).

I have heard it said that audio is a visual medium (I’m paraphrasing. The original quote is that radio is a visual medium, but it works for podcasts too, so I’ll leave it as “audio”), so I didn’t feel it was enough just to record me reading, but there needed to be ambiance. I needed to be able to set the scene for the listener, so they could properly experience the story. I found Creative Commons music that I could use, and some royalty free sound effects, and built everything from a busy mall on Christmas Eve day, to a snowy Christmas Eve on a quiet street, to a playground full of kids at recess.

It was a lot of work, but I loved it. I started working on this in late July, and finished most of the work by the end of August, and since then, I’ve been tweaking, checking, recording intros and outros, and getting promo images ready to tell the story of Nick to the world.

Nick is a part-time mall Santa, who hates Christmas. It’s Christmas Eve. He shouldn’t even be working today, but he is. And he’s about to meet a most terrible child.

As I write this, I’m putting the last finishing touches on the project, and getting ready to release the trailer at the beginning of November, and the episodes will start releasing on November 17.

I hope you’ll listen. I’ll have links closer to the date.

Here’s the logo to tide you over.

"Saint" Nick and the Big F*ck Up - Title

phil

Annual Navel Gaze 2019

, , , , , , , 0

As I say every year, I don’t do New Years resolutions. Instead, I take a look back at the past year and take stock of the things that happened, the things I accomplished, and then look a head to the new year and see what I want to accomplish. Its a great way to take stock of the year that was, and to both put what i want for the new year into the universe, as well as create accountability by putting these goals out for public viewing.

This year’s accomplishments:

  • I was finally able to perform The Commandment at home, at the Toronto Fringe. It was a real joy to be able to share this play with the home audience. We won North (519) Best of Fringe, and performed the play three more times in Orangeville.
  • My theatre podcast Stageworthy crossed the 200 episode mark, and turns four years old in the new year!
  • The podcast for introvert’s (The Introvert’s Guide To…) that I co-host with Jess McAuley continues to grow, and crossed the 15,000 listens mark this month.
  • I got a bunch of writing done.
  • I got a tattoo!
  • I did a little travelling. The highlight was a trip to Quebec City, though I would have enjoyed that more without the fractured rib I got two days before!
  • I started a monthly pub night for creative people. This came from my noticing that I am more creative when I surround myself with creative people. So I launched a very informal monthly night of getting together and talking about whatever comes up. And while the numbers of people have fluctuated, the conversation has always been good!

Last year, I set myself some challenges like “be nicer to myself” and to lean into my introverted “stay home all the time” nature. I had limited success with those. I don’t think I was as good to myself as I could be, I think in the later months of the year, I made some strides. I did not do very well at getting out and not isolating. For example: after the Toronto Fringe, I spent almost two weeks at home not talking to anyone.

So, for the year ahead:

  • My 50th birthday is coming up in April. I want to do something to mark and celebrate it. So my plan is to go to London, England (I’ve never been and always wanted to go).
  • I want to continue to find performance opportunities for The Commandment.
  • Last year, I said that I was going to finish my Christmas play and perform it this year, which you may have noticed I did not do. I’m still working on the play, and it continues to evolve. But I am getting there. And while I’m impatient to be done, I have to remind myself that The Commandment took me a long time to write too.
  • Keep growing Stageworthy and The Introvert’s Guide To…
  • Keep writing, and do it more. While I have written relatively consistently, I haven’t done as much of it as I want. I’m a pretty good procrastinator, so I often find things to do that aren’t writing. I want to get better at not doing that.
  • I have had an idea for a new play for Keystone Theatre, and its high time I pitch that idea to the gang (and also, it would be great to get the band back together).
  • I have also had an idea for a musical for a while, so it’s time I started sketching that out. I don’t write music, but I want to have the idea straight when I find a composer/collaborator.
  • Be more social. Get out to some events now and then, even though I am more comfortable staying home. And not to talk myself out of going (like I often do).
  • I said this last year, but I’ll say it again: do more things with friends. Yes, being a homebody is nice, but you have to go out sometimes. It’s better to connect with people in person than digital.
  • Take more photographs.
  • Post on this blog more. I realized as I was writing this that the 2018 Navel Gaze is the last time I posted.

How was this year for you? What are you most proud of? What are you looking forward to next year?

Blog post_ phil rickaby. - navel gaze

Annual Navel Gaze 2018

, , , 0

As I say every year, I don’t do New Years resolutions. Instead, I take a look back at the past year and take stock of the things that happened, the things I accomplished, and then look a head to the new year and see what I want to accomplish.

Here’s a look back at things I accomplished in the past year.

  • I launched a podcast for introverts with my friend Jess McAuley. After attending a friend’s birthday and feeling awkward and foolish at not knowing how to interact with people, I spoke to fellow my introvert, Jess and together we launched “The Introvert’s Guide To…” in which we try and tackle a new issue each week and figure out how to navigate what seems like an introverts world.
  • I performed The Commandment at the Fundy and Halifax Fringe Festivals, received rave reviews, and was named Outstanding Solo Show at the Fundy Fringe.
  • My Theatre podcast Stageworthy crossed the 150 episode threshold.
  • I think I finally figured out how to finish the Christmas solo play (as yet untitled) that I’ve been working on for about three years.
  • I moved again (which I wasn’t happy about, but it worked out). My landlord sold the building, and I got one of those notices that says the new owner is moving into my apartment, so out I went. Apartment hunting in Toronto is a terrible experience, full of scammers and people over charging for closets. I hope I don’t have to do it again for a very long time. But I do have a bigger apartment, in a nicer neighbourhood, so I guess that’s a win.

On the other hand, while I’m super happy about this stuff, I have to admit that there’s some other stuff I’m not so happy about.

  • While I’m generally pretty content being an introvert, and staying home, I do feel like I’ve been isolating myself a bit. It’s all well and good to be a homebody, but not at the expense of close friendships.
  • I’ve also come to the realization that I have not been kind to myself this year. I have avoided a number of social engagements because “no one really likes me”, which is something I chalked up to introversion, but I have come to realize instead is a self-esteem thing (and I haven’t thought about self-esteem being an issue for me in a long time). So, I need to find ways to combat what my brain tells me, so that I isolate myself a little less.
  • I’m also not good at forgiving myself. An important step in recovering from a fuck up, is to be able to forgive yourself for making it. Which I have not been particularly awesome at.

So that’s the year that was. Now let’s talk the year ahead.

  • As I said last year, I want to find more performance opportunities for The Commandment. I did that this year, let’s see what can be done this year.
  • Finish the (as yet untitled) Christmas play (which I describe as a Christmas play for grownups that like a little horror in their holiday), and perform it. Which means I’m in the market for performance space. Ultimately, my ideal situation I would love to be able to perform The Commandment in the summer, and this new piece in Nov/Dec.
  • Write more. I have this new apartment where I’ve created this working space. I should use it. I always said I wanted a work space and that if I had one, I’d be able to write more. So now, it’s time to prove that true.
  • Keep Stageworthy growing. The podcast turns three years old at the beginning of January, and so I want to expand its reach. Interview some bigger names more regularly, get a little more out of the Toronto theatre bubble and talk to more people in other places, and generally grow the audience.
  • Get more traction with The Introvert’s Guide To…. We had a good start, but then needed to take a bit of a hiatus. The goal is to continue consistent podcast production, and to engage with the community a bit more to try and find out what they want, and what questions they want us to tackle. So far, Jess and I have been able to come up with some good topics, but there are times we struggle, so hopefully, by connecting with other introverts, we’re able to get a larger pool of topics than we’re able to come up with on our own.
  • Be kinder to myself:
    • Recognize that my tendency to believe that people don’t actually like me is not a part of being an introvert, and is just a story I tell myself, which means it’s something I can unlearn.
    • Say yes to more social engagements, and don’t talk myself out of actually going.
    • Do more things with friends. Yes, being a homebody is nice, but you have to go out sometimes. It’s better to connect with people in person, than digital.

How was this year for you? What are you most proud of? What are you looking forward to next year?

2018-765-1529945525-02-NB.ac4fccd4ee914257a0e8b32769ed104a.08c5c9744381aabb54cf3cace9b20b44

Nuit Blanche 2018 picks

, , 0

As I write this, tonight is Nuit Blanche. Normally, I have posted my picks for what I think might be the must see installations at least a week before, but this week got away from me. 

A couple of things before I begin. First: I really miss the paper program. I used to go and pick up the paper program as soon as it was released a few weeks before the event, and I would read it, and then read it again. I took my time with it. While I agree that we need to reduce paper, the website just isn’t the same for me. I don’t spend as much time with it, and and so I find it a little difficult to get as detailed as I used to with it. Second: let’s face it, I’m not going to Scarborough on my Nuit Blanche adventure, so I’m not really going to be looking at those installations. While I understand why Nuit Blanche was split in this way, I don’t think it was a good idea. Splitting up the event into sections so far apart that there’s no way to walk between them is a terrible idea. So I won’t be including any of the Scarborough installations in my picks. 

Some things that you probably won’t find on my list: video installations and photo installations. I’m usually very disappointed by these. Too often, the “installation” is just photos on a wall, or a projector showing a video on a wall. I like installations that transform space and make me see a familiar location in a new light. Going to a building and just seeing a projection on a wall just doesn’t do that for me.

As always, there’s no way to know, until the night of, what any of these will be like, which will be stunning and which will disappoint. These are some that I think might be interesting. What are you looking forward to?

International Dumpling Festival, 2018

If you know me at all, you know I love me some dumplings, so you have to know that this installation speaks to me (and my tastebuds) on a profound level. I don’t know how this one will look, or if it will be visually stunning. But, really, if I get to eat some dumplings, I think I’m going to be happy with this one.

Radical Histories, 2012–2018

Radical Histories sounds like it could be interesting. A shroud covering the roof edge of city hall.  If it is anything like the picture on the NBTO page, then it could be visually stunning. But there’s also the chance that this might be one of those ones that leaves me saying “that’s all?” when I finally see it. Only tonight will tell.

Make Your Mark, 2018

Can we talk about this one for a second? Using glue, the artist has taken a little cast of a number of the tips of people’s fingers. You know, like we used to do in grade school, but on a massive scale. Is it just me, or does this sound a little gross? I’ll go see it for sure, but there’s something about it that isn’t speaking to me.

Continuum: Pushing Towards the Light, 2018

This one is definitely on my list. The new bridge between The Bay and The Eaton Centre has been a favourite on instagram and for photographers since it was installed, and I cant wait to see it transformed by dancers, and circus and light.

Do Angels Exist, 2018

This one has a heart-rending origin story, but sounds like it will be both moving and visually stunning. As a kinetic sculpture of moving luminescent images, this one is likely to be memorable. And as it is inspired by the loss of the artists mother and and exploring grief and loss, this one could also be quite moving as well.

Passage

I have been impressed in the past with some of the installations at the Bata Shoe Museum, and this one sounds like it could be one of those transformative installations. This one transforms an alley into a passage full of light and motion. Sounds like one to see.

1 2 3 4 ›»