3 Random Words = Inspiration

I thought I’d play around with some different ways of generating ideas. I wanted to stretch my writing and explore forms of storytelling that I normally don’t. Most of the ideas I generate on my own work best as plays. There’s nothing wrong with that, but I wanted to challenge myself by creating in a medium I don’t normally: the short story.

Maybe later, I’ll try the novel, but the short story is a good warm up. Using the Brainstormer app I can generate three words to kickstart my creative process. The story I’m currently working on came from the following:

Brainstormer: Rescue of Kidnapped | Starship | Machine Mind

What would these words say to you?

The Annual Navel Gaze: 2013

This is the time of year when people make lists and get reflective about the year that’s gone by and start to make resolutions for the coming year. I’ve never been one for resolutions. Resolutions start out great, but often get forgotten, leaving the person who made the resolution feeling disappointed in themselves. I prefer to make some goals for myself. The difference might be semantic, but I see the goals I set as less things I need to accomplish, but rather as setting a direction for the year ahead. So, even if I don’t accomplish the goal itself, it did set a direction for me for the year. Perhaps I didn’t accomplish the goals I set for myself during last year’s navel gaze, but those goals set me down the road I did end up following.

And now, the highlights of my year:

  • Meeting my girlfriend Sarah (who is awesome). I haven’t talked too much about her here, but if you follow me on the facebooks, you’ll have seen a lot about her.
  • This year, I stumbled a little creatively near the beginning of the year. It got a little hard to write and be creative while job hunting. But later on in the year, about the mid-way point, I rediscovered my love of writing, and have been going strong since.
  • I participated in the Red Sandcastle Theatre‘s first annual 1000 Monkeys 24 hour playwriting event, which resulted in the creation of my play The Parliamentarians. I loved participating in this event. A group of playwrights, hunkering down in the Red Sandcastle for 24 hours, each given  three words to inspire them. It was pretty awesome writing in that room, with almost no one talking, everyone concentrating on the play they were working on.
  • I changed the name of my podcast, and was able to interview some great people, including one of my theatre heroes.
  • With Keystone Theatre, created a new show, called Gold Fever and presented it for three performances at the Toronto Clown Festival.
  • Finding out that Keystone Theatre would also be bringing our Fringe Festival hit, the Last Man on Earth to Toronto’s Berkeley Street Theatre in April (and you can totally buy tickets now). Opening night is my birthday, so you should totally come.
  • In November, also finding out that Keystone would be bringing Gold Fever to the Toronto Fringe Festival in July.
  • Being asked by the Red Sandcastle to present my play The Parliamentarians in May.

And my goals for the coming year:

  • Keep writing plays. I’ve got some plays that I started, but didn’t finish, and some ideas that I’ve been kicking around. Last year, I didn’t finish either of the plays I’d mentioned, so I’m not going to list specific plays. I just want to keep writing them.
  • I also want to stretch my writing creativity. I want to write in some formats that i’m less comfortable in, like short stories and novels, so I’ll give that a go as well.
  • I also want to figure out what to do with the podcast. Since I’ve been working two jobs, its been difficult for me to find the time to seek out interviews and go and do them. I’d like to relaunch the podcast and make it into something I can do given the limited time I have. I just don’t quite know that is yet.

And that’s it. The year that was, and the year ahead. Let’s do this again next year.

That Social Problem

Recently, I figured out a long standing problem I have been having. It turns out that I have social anxiety. As it happens, it’s a pretty mild and it isn’t in any way debilitating. But it does affect my life in some profound ways.

This is how it works: There is a little voice in the back of my head, and it tries to tell me that I’m not worth knowing. If a joke falls flat, or I say something that doesn’t quite come out the way I intended, the voice says something like “and that’s why people don’t like you.” It analyzes everything I do, and puts the worst possible spin on things. Given the opportunity to go out to some gathering where I don’t know many people, the voice tells me that there is no point in going since no one likes me anyway, or that I have nothing of value to offer. The voice has a comment for every situation, eroding any confidence I have managed to build.

And its there all the time. I can’t escape it. It’s there when I walk down the street, it’s at work, it’s in casual conversation. It follows me everywhere. Its as though my own mind is constantly urging me to just shut myself away to spare other people the difficulty of dealing with me.

And the worst part is, that I know its not true. My rational brain says that its not that bad. That other people don’t find dealing with me painful. And yet, that’s the first thing my brain says to me when I enter a social situation: “this is why people don’t like you”.

I am not writing this for pity, or to lament my lot. No. I’m writing this in defiance of my social anxiety. Because I am not going to let it be the way I define myself.

I started the podcast to force myself to approach and meet knew people. It’s a small thing but it’s a start.

The next step is in large groups, which is where that voice really has a field day. But here is the thing: I taught myself to accept imperfect writing when working on a first draft. I learned not to self edit. Is there any reason I can’t apply this to life? It used to be when I wrote, my inner critic would tear apart what I was writing as I wrote it. It was more than a little debilitating as far as writing goes. Because you can’t write well, when you think everything you write is shit. This has helped me to write more. I have allowed what I write on the first pass not to be completely amazing because I know I will fix the problems when I revise it. But I have managed to give myself permission for the writing to suck when I write a first draft. I allow it to be less than perfect, because I know I will fix it later. And I have learned not to listen to the voice of the inner critic.

The inner critic used to be a voice saying similar things to my anxiety voice. And I learned to put that voice in a box, so that I could get on with the things that mattered. So why can’t I do that with this?

So, that is my goal for the next little while. To learn not to listen to that voice.

Have you ever tried anything like this? How do you deal with social anxiety?

That Churchill Quote

Lately, I’ve been seeing this posted around blogs and Facebook:

It was once suggested to Winston Churchill that he cut funding to the arts to pay for Britain’s war, to which he responded, “Then what would we be fighting for?”

It’s a great quote. I’ve seen it a few months ago from some American artists, when funding for the arts was being threatened in the US. I’m hearing it now, in Canada, after the funding cuts to Summerworks, which may herald a significant cooling in the government’s funding of the arts.

But did Churchill ever say that?

Back in August of last year, when the quote was first making the rounds on Twitter, I came upon this post, which asks:

“There are a number of versions of this story quoted around the internet—some adding blasphemies or swearing to the Churchill response—but none are traceable to an actual source or date. I am trying to determine whether Churchill actually said this and, if so, under what circumstances.”

In the comments from this post, there are people who say that it sounds like him, but that there may be no reference to this in any speech, biography or recorded writing.

If Churchill did say it (and I really do want to believe that he did), then it’s great that it’s being used by artists to support arguments for the continued funding of the arts. But if Churchill didn’t say it; if the quote is pure fiction or wishful thinking, then using it does no favours to the arts community. Using a made-up quote to back up the argument will merely serve the opponents of arts funding—they’ll be able to discount the argument being made if the quote is false.

Does anyone know if that quote is real? Is there a source for it?

If it’s not, maybe we need to rethink using it so frequently in our defense of arts funding. There are plenty of good reasons to continue funding for the arts without resorting to pithy quotations.