Picture this: Shakespeare’s MacBeth staged in the style of WWE’s RAW.
I know, you think that’s a ridiculous idea that can’t possibly work. But you’re wrong. Picture the climax of the play, for example:
MacBeth is alone in the ring, mic in hand. He paces back and forth, and then strikes his pose in the centre of the ring.
They have tied me to a stake; I cannot fly,
But, bear-like, I must fight the course. What’s he
That was not born of woman? Such a one
Am I to fear, or none.
Young Siward’s theme music plays. He enters, and stands near the entrance.
What is thy name?
Thou’lt be afraid to hear it.
No; though thou call’st thyself a hotter name
Than any is in hell.
My name’s Macbeth.
The devil himself could not pronounce a title
More hateful to mine ear.
No, nor more fearful.
Thou liest, abhorred tyrant; with my sword
I’ll prove the lie thou speak’st.
Young Siward runs down the ramp to the ring. He climbs through the ropes, and hurls himself at Macbeth. The match is short, with a couple of good hits by Siward, followed by a volley from Macbeth who ends with his signature move and finishes Siward. Mabeth stands over Young Siward’s broken body.
Thou wast born of woman
But swords I smile at, weapons laugh to scorn,
Brandish’d by man that’s of a woman born.
It looks like its over. But wait. That’s MACDUFF’S theme song! Macduff runs down the ramp, chair in hand, flies into the ring, and hits Macbeth in the back with the chair.
Turn, hell-hound, turn!
…You get the idea. I’m telling you, it could work. Too bad the budget you’d need to do it would be too much for any theatre company.
But maybe that’s for the best.